Detail
Random House
0 
Notes:
Yehuda and Maya's vision for this feature is to depict realistic elements of daily family life in the artistic style and sensibilities of a superhero comic. While there are no age guidelines, the art is discreet when depicting mature scenes and could be considered all-ages. There is only one piece of "mature" language in the entire compilation (in a story title, not dialog).
Format
Reprinted In0
Reprinted From0
Images1
Notes:
The same image appears inside and on the back cover with their baby, Ariel, restored to the art.
Notes:
Reprinted from an interior sequence.
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Reprinted from an interior sequence.
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Includes feature logo and a logo for Random House New York and the indicia (second page)
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Reprinted from an interior sequence.
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The creators discuss the origin of the strip and the consequences of public life based on autobiographical content.
Notes:
Reprinted from an interior sequence.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog. One of the beach dudes has a tattoo of Yehuda's face icon.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
A two-page spread.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog. This was Yehuda's first piece ever for this feature.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
A two-page spread.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
She claims he is so warm but the room thermostat can be seen reading 30 degrees Celsius. The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
A two-page spread.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
A two-page spread.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
A two-page spread.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
An homage to the movie poster for the 1967 Mike Nichols film, "The Graduate," depicting Anne Bancroft's seductive leg before Dustin Hoffman. The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
Among the people in the elevator, the guy who was seen earlier checking out Yehuda's butt at the running park now has disgusted little broken hearts over his head. The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
All the headrests are covered in faint logos for One of Those Days. The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The phrase, "The Cold Never Bothered Me Anyway," is a line from the Disney film, "Frozen." The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
There is graffiti on one of the seats saying MD heart YD. The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
A two-page spread.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
A two-page spread. The water spilled on the floor spells out, "Help."
Notes:
A two-page spread.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
An homage to the moment in Stanley Kubrick's 1980 film, "The Shining," when Jack Torrence is chopping his way into a bathroom to get to his terrified wife. A two-page spread.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
A two-page spread.
Notes:
An homage to the Wachowskis' 1999 film, The Matrix. The text streaming down the screen spells out the new URL. The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
A two-page spread.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
Ariel's unicorn plushie can be seen on top of Maya. The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is mostly repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog. This time, however, there is a list of insecurities spelled out on the left page where Yehuda would have been.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
The art is repeated twice, once (on the left) in pen in ink and no dialog, then again on the right, rendered further in color with dialog.
Notes:
A two-page spread. Reprinted from an interior sequence.
Notes:
All the social media websites where the content can be found online.
Notes:
A two-page spread. Reprinted from an interior sequence.
Notes:
inside front and back cover padding.
Notes:
Back cover. The same image appears on the front cover with Ariel removed. It also appears in the interior intact. The illustration is accompanied by typical back cover promotional text and small creator and publisher logos and the barcode.
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