Detail
Variant:
Third Printing
Marvel
0 
Notes:
Barcode on inside front cover says "Direct Edition 75960610271600114".
Format
Reprinted In0
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Images1
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No credit for inks listed.
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Very rough sketch of Silver Surfer printed in white on black across the front endpapers.
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Credits, indicia, and large illustration of the Silver Surfer (different than the cover).
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Cover inks credit from Sinnott's personal records. After examining the original art Nick Caputo suspects that Frank Giacoia provided additional brushwork on the Surfer and backgrounds.
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Cover inks credit from Sinnott's personal records.
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Part Two (20 pp.) is entitled: "Let Earth Be the Prize!"
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Sinnott inker credit provided 2006 by Nick Caputo.
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Part Two (20 pp.) entitled "Duel in the Depths."
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Sal Buscema inks per Nick Caputo. Info confirmed in Michael Maillot's John Buscema checklist.
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Romita credit per Nick Caputo, August 2012. Previous indexer listed John Buscema as possible penciller. A rejected cover drawn by Buscema exists.
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An editorial note refers to events that occurred in Hulk #89 and #90; however, the events took place in Tales to Astonish #89 and #90.
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Possible Frank Giacoia cover inker credit provided 2006 by Nick Caputo. Michael Malliot's John Buscema index has Sal Buscema listed as inker.
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Sal Buscema cover inker credit provided 2006 by Nick Caputo. Michael Malliot's John Buscema index also has Sal listed as inker.
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Adkins cover inker credit provided 2006 by Nick Caputo.
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Series begins a regular page count and monthly publication.
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Adkins cover inker credit provided 2006 by Nick Caputo.
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Adkins cover inker credit provided 2006 by Nick Caputo.
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Cover inks credit from Sinnott's personal records. Original blurb read "See the Surfer Attacked by the Torch!" This one just reads "See the Torch!"
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Stone cover inker credit by Nick Caputo, April, 2011.
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Trimpe and Adkins cover credits provided 2006 by Nick Caputo. The previous indexer credited Barry Smith with pencils; however Smith has confirmed by email (January 2015) that he did not do this cover.
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According to a letter from Herb Trimpe dated 1998, he states that Kirby provided either layouts or complete pencils, and "I can say for sure I inked this particular cover". Nick Caputo adds that per Mark Evanier, Kirby never provided layouts for covers. It's possible that Trimpe mis-remembered and it was actually Marie Severin who provided the cover layout (Marie worked on most cover roughs for Marvel in this period). Nick adds that the background figures all look like Trimpe's work, and while the Surfer and Black Bolt look Kirbyesque, the musculature of the Surfer in particular is much thinner that Kirby depicts him (see interior story).
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Although the next issue is called for on the last page, this is the final issue of the series.
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Introduction page for final story, featuring a silhouette of the Silver Surfer in grayscale.
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First solo Surfer story. Quasimodo, the living computer, was first seen as a computer with facial features in Fantastic Four Annual #4, and is left, abandoned at the end of that story. This story picks up the plot thread and converts him to an animated figure. Next seen in Captain Marvel #7.
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The same silhouette of the Silver Surfer in grayscale as in the introduction to the last story, though enlarged and set at a different angle. Same on both pages.
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Inside back cover. List of other Essential volumes available. No art.
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Back cover. Credit listed as "cover pencils" and "cover color" without noting if referred to just front or both covers.
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