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Issue: X-Men: Legacy #215
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Title:
Is Variant Variant: Newsstand
Rating: Rated A
Publisher: FlagMarvel
Brand:
Indicia Publisher: Marvel Publishing Inc.
On Sale Date: 2008
Volume:
Pages: 36
ISBN:
UPC/EAN: 00928101772111
Price: $3.99 CAD
$3.99 USD
Indicia Frequency: Rated A
Content Items: 0 (0 stories, 0 covers)
3 (1 story, 1 cover) from base issue
Editor(s):  
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Disclose Format
Publication Type: Comic Book
Color: color
Dimensions: standard Modern Age US
Paper Stock: glossy
Binding: saddle-stitched
Publishing Format: was ongoing series
Format Notes:  
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[untitled]

Illustration  on  Cover, Front from base issue
Credits
typeset
Subject Matter
superhero
Professor X [Charles Xavier]; Cyclops [Scott Summers]
Reprinting
 
Miscellaneous
1
Features "Manifest Destiny" logo.
Previously in X-Men...

Reprise  on  Interior Page(s) from base issue
Credits
?
?
typeset
Subject Matter
superhero
Reprinting
 
Miscellaneous
1
Walkthrough Part 1 of 2

Story  on  Interior Page(s) from base issue
Subject Matter
superhero
Professor X [Charles Xavier]; Rogue [Anna Marie]; Cyclops [Scott Summers]; Emma Frost [White Queen]; Beast [Hank McCoy] (cameo); Angel [Warren Worthington, III] (cameo); Prodigy [David Alleyne] (cameo);

Mystique [Raven Darkholme] (psychic impression); Colossus [Piotr Rasputin] (flashback); Storm [Ororo Munroe] (flashback); Psylocke [Betsy Braddock] (flashback); Dazzler [Alison Blaire] (flashback); Mr. Sinister (flashback);

The Hellfire Club [Sebastian Shaw; Castlemere (intro); Turner (intro); Mercedes (intro)]
Xavier mentally influences Cyclops to come meet him in a secluded spot, which angers Scott. He is angrier still when Xavier wants to probe him as a result of what he learned sharing Mr. Sinister's mind. Meanwhile, Rogue returns to the deseted Australian Outback town that the X-Men used as a base for a while in order to get solitude and sort things out, and Sebastian Shaw prods the Hellfire Club towards re-establishing itself along its traditional lines.
Reprinting
 
Miscellaneous
22
The Hellfire Club scenes appear to be drawn more like the Checchetto / Beaulieu scenes than the Eaton / Hennessy / D'Armata scenes, although the credits imply otherwise.

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